Just over a week ago, I attended a workshop with Meredith Brickell. She showed us many of the techniques that she uses in working with wet clay, talked about her thoughts toward working in clay, some of her surface decoration, glazing, and firing methods, and shared some recipes. The pace of the workshop was pleasantly fast.
I learned some really neat little tricks and a bunch of bigger techniques. I’m looking forward to making myself some bowl molds - my very own.

Meredith introduced the (to me) radical notion that wet clay could be used as a mold. We used pieces of old sheets and pillowcases like slings to move slabs of clay around, and to keep the wet mold and wet slab from sticking together. After making and draping this hump mold, I learned that she’s always done slump (concave) molds. Over the next few days, I added coils and used pinching and my serrated rib to create this:

I must say, I’ve never made anything like it, but I like where it’s going.
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This is of a very different character than the wood fired. Less geometric, by far.
Comment by Julie 11.07.07 @ 12:07 pmI’ve made clay slump (concave) molds and slumped glass into them. Many shpaes suggested by nature can readily be made into slump molds (nautilus, buttercup, lilypad,etc). I’ve liked the variety of texture and color available in art glass, but it may be cool to try clay slab “slumped” into the mold.
Comment by christine 12.13.07 @ 4:10 pmLeave a comment
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looks like a piece of music, not the written, but the played.
Comment by jim 10.07.07 @ 9:35 pm